|Micro Tech Lab Professional solutions for digital micro and macro photography|
|An overview of the LM microscope adapters|
|We offer LM digital adapter solutions for the following microscopes|
|Online configurator: LM microscope adapter for all digital cameras and microscopes|
|LM adapter solution for c-mount microscope ports with reduction optics (0.5x / 0.6x / 0.7x or f=55mm / f=75mm / f=100mm)|
|LM Macroscope 24x (15x and 11x) for Focus Stacking: Highest resolution without compromise|
|LM Macroscope 9x (5x and 3x) for Focus Stacking: Highest resolution without compromise|
|LM photo microscopes: the flexible photography solution for large sensor cameras!|
|Macro Close-Up Lens: LM Macro lens 40/80 with plan achromatic optics|
|Special mounting medium for microscopy, non toxic,water solved,light hardening,fast solidifying and drying,neutraldoes not make air bubbles,high optical solution,color protecting,solvent free,high refractive index|
|Micro Tech Lab advisory service: microscopy, digital cameras, high quality photo|
|Service: improving image quality by giving your microscope a professional check-up|
|Camera ranking for microscopy use|
|Camera recommendation for microscopy application|
|DSLR camera or special-purpose microscope cameras?|
|Image sensor: dynamic range and it's influence on image quality|
|The Zeiss Stemi 508 stereo microscope: microscope adapters for digital cameras (DLSR and system cameras)|
|The Olympus IX2 series: enhanced versatility for use in a wide range of application|
|Our LM digital adapters open the Zeiss SV8 stereo microscope to a new, digital world|
|Nikon’s SMZ 645 and 660 stereo microscopes in microphotography|
|With the help of LM Digital adapter the inverse Nikon Eclipse MA100 and MA200 microscope become fit for photomicrography|
|Capture exceptional images with the Leica DM4 B/DM6 B and our LM digital adapters|
|LM photo microscope with Nikon C-mount camera DS-Fi2 and control panel DS-L3 for measurement tasks, long-term studies and lengthy observations|
|Install modern camera systems (DSLR, system- or c-mount cameras) with our LM digital adapter on the Olympus SZX9 – a stereo microscope for industrial applications|
|Capture One Pro software: Tethering in microscopy with Live View for a large variety of cameras|
|Preview: The Nikon D850 – the new number 1 in our camera ranking!|
|Sony Alpha 9 – a camera that has everything you need!|
|Sony Alpha 7S II – a video specialist with ultra-high light sensitivity|
|Panasonic Lumix DC-GH5 – an interesting solution for long-term video recording at the microscope|
|Professional camera with full-frame sensor Leica M10 on the microscope|
|The new Canon DSLR EOS 1300D – a “microscope camera” with an unbeatable price/performance ratio|
The image sensor – at the core of every camera
The image sensor is the key component in any camera system. Depending on the area application, different semiconductor technologies (CMOS/CCD) are employed. The type of sensor used has a major impact on image quality, resolution capability and shutter speed (frames per second).
Camera sensors are available either as colour or black-and-white (monochrome) systems. Colour sensors are overlaid with a Bayer filter which makes each pixel sensitive to the primary colours (red/green/blue).
Black-and-white sensors without a Bayer filter have the advantage of being more light sensitive because they lack the colour filter that absorbs a significant part of the incoming light. Over the past few years, a great deal of research effort has gone into optimising sensor technology, with the result that colour cameras now outperform black-and-white systems in terms of light sensitivity, too. This makes it difficult to generalise and make a broad statement on which system is better. In any event, it is advisable to check the light sensitivity of the camera models in question. Manufacturers generally state the dynamic range of the sensor and the ISO values. As a general rule, higher light sensitivity is an advantage because it makes shorter exposure times possible.
Black-and-white cameras do not have a colour filter and are used primarily for specialised techniques (e.g. when using low-luminosity fluorescence markers or dyes). However, they are increasingly being crowded out of the market because of constant improvements in the performance of colour cameras. For particularly difficult applications, cooled cameras are used, which have an even better signal-to-noise ratio.
Basically, it can be assumed that larger sensors offer better quality and are more expensive to make. They have more pixels, a higher dynamic range and a better signal-to-noise ratio, and the light sensitivity is also better. For special-purpose microscope cameras, very small sensors are used in most cases. Because of the limited market and their focus on this specific field of application, these sensors are generally very expensive.
Comparing sensor sizes:
The number of pixels correlates to the amount of information within the image, i.e. the higher the pixels, the more details can be captured. In order to achieve a good dynamic range (signal-to-noise ratio), the size of each individual pixel should be large. Those are the two considerations that are key to an appropriate sensor size.
For microscope applications, the required pixel number is affected by the selected magnification. When working at high magnifications, 5 megapixels is entirely sufficient, as the system is limited by the numerical aperture of the microscope lenses. At weaker magnifications (<50 x), as is the case with stereo microscopes, macroscopes and magnifying lenses, for instance, a higher pixel number is better. Because of the Bayer filter, colour cameras generally need higher pixel numbers because otherwise stairlike lines will appear where there should be smooth straight lines.
|Which digital camera works best on a microscope?|
|Convert your digital SLR camera into a professional microscope|
|Special mounting media for microscopy|
Tips and tricks to connect your digital camera and to process digital images